“本次展览汇集了两种摄影实践，它们从截然相反的方向回应着同一命题：一方由几何抽象构建，一方植根于人类形体。两者看似背道而驰，却共同触及了同一种深层的张力——那是“显”与“隐”之间的留白，也是“形”与“意”之间的拉扯。在一个图像流转的速度远超目光停留、表象愈发沦为即用即弃之物的时代，本次展览试图提供一种更为缓慢的凝视——一种在曝光间隙中驻足、流连的停顿。正是在这里，意义得以在光影的呼吸间，缓缓浮现。

    “凝相：曝光之间”将中国艺术家付黎明的“物感主义”与意大利艺术家尼科洛·罗科·克雷阿佐的“存在剧场”并置，试图在东西方视觉的交汇处，展开一场关于“观看”的深层邂逅。

    This exhibition brings together two photographic practices that address that question from opposite directions — one built on geometric abstraction, one rooted in the human figure — yet both engaged with the same underlying tension: the space between what is shown and what is withheld, between form and the identity it contains. In a time when images circulate faster than they can be seen, and appearance is increasingly treated as something instantaneous and disposable, this exhibition offers a slower look — one that lingers in the pause between exposures, where meaning is still forming.

    Juxtaposing Chinese artist Fu Liming's “Wu-gan-ism” (物感主义, lit. ‘sensism of things’) with Italian artist Nicolò Rocco Creazzo's “Theater of Existence,” this exhibition seeks a profound encounter of “seeing” at the intersection of Eastern and Western visual sensibilities.”

——摘录/Excerpt  策展人/Curator《影像叙语Narratives of Images》

“从方到圆，是观看方式的向内转向。放下识别与定义，回到人与物最原初的相遇。这些作品没有预设主题，也没有标准答案，它们是开放的感知场域，邀请你带着自己的生命经验走进去，在圆环的凝视里，完成一次独属于自己的观看。

The shift from square to circle marks an inward turn of vision. Let go of recognition and definition, and return to the most primal encounter between human and thing. These works carry no preset themes, nor standard answers. They are open fields of perception, inviting you to step in with your own life experience, and complete a viewing that is uniquely yours within the gaze of the circle.”             

                           ——付黎明/Fu liming

展览现场

本次展览策展人贾雨佳

本次展览策展人弗朗切斯科·库科

展览总规划、成都许燎源现代设计艺术博物馆馆长张群英

成都职业技术学院创意设计学院院长张芝敏女士致辞

成都文理学院专任教授、四川美术家协会会员邹佩吟女士致辞

著名策展人崔付利先生致辞

艺术家付黎明

艺术家尼科洛·罗科·克雷阿佐

著名艺术家、物感主义创始人之一、许燎源博物馆馆长许燎源先生为展览启幕

展览现场

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